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Robert Pattinson Wants Chris Hansen to Like ‘Primetime’ Despite His Criticisms: ‘I Hope the Inspiration His Character Has Given Is Some Kind of Compliment’

Robert Pattinson wants Chris Hansen to like “Primetime,” a tense thriller about the television journalist and “To Catch a Predator” host, which premieres on Saturday afternoon …

Variety · Sat, 05 Se

Marion Cotillard Praises Venice Biennale College Cinema Workshop: ‘Not all Films Are Destined to Draw Millions of Viewers and Turn a Profit’

‘Mr Nelson, Did You Kill People?’ Review: An Assaultive Yet Turgid and Outdated Vietnam PTSD Drama

‘Everest: The Other Side’ Review: The ‘Free Solo’ Directors Return With Another Extreme Sports Doc, This Time Tainted by Tragedy

‘The Liberation’ Review: Carrie Coon Is Breathtaking as a Woman Lured by a Cult in Guy Nattiv’s Deeply Personal Film

Swiss Projects at the Venice Gap-Financing Market: Natural Disaster, Complicated Romance, Exploited Migrants, Murder Mystery in Montana

Kate and Rooney Mara Talk ‘Bucking Fastard,’ Synchronized Sisterhood and Werner Herzog Life Lessons: “He Doesn’t Give a S***”

Hollywood Reporter

Telluride Awards Analysis: Andrew Scott Leaps Into Top Tier of Best Actor Oscar Race for ‘Elsinore’

Hollywood Reporter

Lav Diaz Preps False Prophets Film and Jose Rizal’s ‘Noli Me Tangere’ Adaptation, Unpacks Venice Title ‘Let Us Through, Dear Ancestors’ (EXCLUSIVE)

As Swiss Films Expand International Reach, English-language Works Are on the Rise

‘Elsinore’ Review: Andrew Scott Is Powerfully Moving as Ian Charleson, the ‘Chariots of Fire’ Star Who Played Hamlet While Ravaged by AIDS

‘Elsinore’ Review: Andrew Scott Is Shattering as British Actor Ian Charleson, Throwing Himself Into Playing Hamlet While Succumbing to AIDS

Hollywood Reporter

‘The Echo Chamber’ Starring Alicia Vikander Seals International Distribution Deals Ahead of Venice Premiere (EXCLUSIVE)

Spain’s Impulse Cinema and Italy’s Fandango Forge Strategic Partnership to Boost Co-Production and Sales Opportunities (EXCLUSIVE)

Impact of War in Iran Set to Feature in Two Venice Film Festival Dramas

Alex Warren takes hard fall during concert: ‘They told me to break a leg’

‘The Idiot(s)’ Review: Aimee Lou Wood and Johnny Flynn Sparkle in a Playful, Indulgent Tribute to Fyodor Dostoevsky’s Underappreciated Wife

Hollywood Reporter

‘The Idiot(s)’ Review: Dostoevsky Is an Endearing Drunken Fool in This Rambunctious, Tonally Off-Kilter Two-Hander

Venice: ‘My Undesirable Friends’ Director on Epic Documentary About Death of Press Freedom in Russia, How Putin’s Crackdown Is Warning for U.S.

Victor Miller, ‘Friday the 13th’ Screenwriter, Dies at 86

Hollywood Reporter

‘A Long Winter’ Review: Fred Hechinger and Ebon Moss-Bachrach Shine as Family Thrust Into Uneasy Isolation in Andrew Haigh’s Fine-Grained Drama

Hollywood Reporter

‘Tender Loving Care’ Review: Kate O’Flynn Lights Up Mike Leigh’s Warm, Gently Wrenching Study of Solace and Solidarity

Hollywood Reporter

Tupac’s Murderer Claims He’s Innocent: “I’m Not No F***ing Killer” (Exclusive Interview)

Hollywood Reporter

‘The Gentlemen’ Star Theo James Is Ready to Talk About That Bloody Season 2 Ending

Hollywood Reporter

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